Thinking 'Bout Stuff

Roomrunner and Dope Body Move To Own Baltimore Rock in 2012 with New Releases

May 18, 2012
By Bret McCabe
Roomrunner and Dope Body Move To Own Baltimore Rock in 2012 with New Releases

Natural History Barely a minute and a half into “Road Dog,” the second track on Dope Body’s Drag City debut Natural History, and guitarist Zachary Utz has already unleashed a handful of different guitar sounds. There’s the squelching scratches that mark the opening chug of the song’s first 30 or so seconds. There’s the...
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Los Signs With Bad Boy Records. . .Again

February 8, 2012
By Al Shipley
Los Signs With Bad Boy Records. . .Again

by Rarah On Monday afternoon, MTV News blew up the rap blogosphere with some news regarding up-and-coming Baltimore rapper Los and legendary hip-hop label Bad Boy Records. “We have a new artist named Los that we signed,” Sean “Diddy” Combs told MTV cameras in an interview taped last week. It was an interesting choice...
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Talking Cassette Tapes and Memories with Lexie Mountain

June 30, 2011
By Brandon Weigel
Talking Cassette Tapes and Memories with Lexie Mountain

Compact Lexie Mountain rummages through her tape collection, pulls out yet another cassette and pops it into the Centennial tape player on the floor. “Her tapes are bonkers,” Mountain says of the woman on the recording. Play. “God, I wish I could stop shaking,” says the woman. Audibly, she shutters, shivers. Then silence for...
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Relive Lil B’s Whartscape Set Via iTunes

January 12, 2011
By Brandon Soderburg
Relive Lil B’s Whartscape Set Via iTunes

Based Pigeon Live In Baltimore 2010, Bay Area experimental rapper Lil B’s live set from the 2010 Whartscape festival, begins with the self-proclaimed “Based God” walking onstage shouting “swag” a whole bunch of times as M83′s “Can’t Stop” blasts from the speakers. It’s actually pretty exhilarating–but it’s all downhill from there. Most of the...
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Considered: The Hexagon Goes ASCAP Free

February 3, 2010
By Michael Byrne
Considered: The Hexagon Goes ASCAP Free

| Image by Michaelus Byrnicus Until last week, the only thing particularly unique about the Hexagon’s decision to ditch ASCAP and the other performing rights organizations (PROs), was the public nature of it. It’s difficult to say how many venues, restaurants, and other businesses currently operate without PRO licenses, while playing or performing copyrighted...
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