<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Noise &#187; Will Beaudouin</title>
	<atom:link href="http://blogs.citypaper.com/noise/index.php/author/will-beaudouin/feed/" rel="self" type="application/rss+xml" />
	<link>http://blogs.citypaper.com/noise</link>
	<description>City Paper&#039;s Music Sound Thing</description>
	<lastBuildDate>Mon, 20 May 2013 20:12:00 +0000</lastBuildDate>
	<language>en-US</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.5.1</generator>
		<item>
		<title>Guantanamo Baywatch</title>
		<link>http://blogs.citypaper.com/noise/index.php/2012/08/guantanamo-baywatch/</link>
		<comments>http://blogs.citypaper.com/noise/index.php/2012/08/guantanamo-baywatch/#comments</comments>
		<pubDate>Mon, 20 Aug 2012 18:19:39 +0000</pubDate>
		<dc:creator>Will Beaudouin</dc:creator>
				<category><![CDATA[Album Review]]></category>

		<guid isPermaLink="false">http://blogs.citypaper.com/noise/?p=4592</guid>
		<description><![CDATA[A couple months ago, Baltimore lost one of its iconic nightclubs in Sonar. While it may still yet rise from the dead, it’s hard not to get a little misty-eyed at the prospect of Sonar being gone for good. Thankfully, everyone’s favorite dysfunctional music venue had a solid sendoff thanks to the portmanteau loving Portland based band Guantanamo Baywatch—one of several groups that played the final show at Sonar. The punk-rockabilly-surf trio recently released their second record in Chest Crawl (Dirtnap Records), an eleven track effort that proves to be a fantastic, yet ultimately limited summer party album. Started by Jason Powell (lead vocals, guitar) and Chevelle Wiseman (bass) in 2009—later adding Chris Scott (drums) in 2010—Guantanamo Baywatch excels at crafting gritty, lo-fi tunes that sound like they could have been ripped from a post-apocalyptic Yardbirds album. From the tremolo picking to the iconic reverb, the 60’s surf influence is ever present throughout Chest Crawl. Yet, when combined with Powell’s indecipherable and disquieting vocals, you get something that sounds like Surf Music of the Damned—instantly recognizable, yet sinister. Of the eleven tracks on Chest Crawl, three are purely instrumental, including the standout opener “Barbacoa.” The remaining eight featuring Powell’s vocals [...]]]></description>
				<content:encoded><![CDATA[<p><a href="http://blogs.citypaper.com/noise/wp-content/uploads/2012/08/tumblr_m81wuruunI1qf4sq7o1_500.jpg"><img class="alignleft size-medium wp-image-4645" src="http://blogs.citypaper.com/noise/wp-content/uploads/2012/08/tumblr_m81wuruunI1qf4sq7o1_500-300x300.jpg" alt="" width="300" height="300" /></a>A couple months ago, Baltimore lost one of its iconic nightclubs in Sonar. While it may still yet rise from the dead, it’s hard not to get a little misty-eyed at the prospect of Sonar being gone for good. Thankfully, everyone’s favorite dysfunctional music venue had a solid sendoff thanks to the portmanteau loving Portland based band Guantanamo Baywatch—one of several groups that played the final show at Sonar. The punk-rockabilly-surf trio recently released their second record in <em>Chest Crawl (</em>Dirtnap Records)<em>,</em> an eleven track effort that proves to be a fantastic, yet ultimately limited summer party album.</p>
<p>Started by Jason Powell (lead vocals, guitar) and Chevelle Wiseman (bass) in 2009—later adding Chris Scott (drums) in 2010—Guantanamo Baywatch excels at crafting gritty, lo-fi tunes that sound like they could have been ripped from a post-apocalyptic Yardbirds album. From the tremolo picking to the iconic reverb, the 60’s surf influence is ever present throughout <em>Chest Crawl</em>. Yet, when combined with Powell’s indecipherable and disquieting vocals, you get something that sounds like Surf Music of the Damned—instantly recognizable, yet sinister.</p>
<p>Of the eleven tracks on <em>Chest Crawl</em>, three are purely instrumental, including the standout opener “Barbacoa.” The remaining eight featuring Powell’s vocals vacillate in quality from ‘holy shit this is my jam’ to the merely ‘OK.’ While Powell is definitely adept as a guitarist—and the rhythm section of Wiseman and Scott are consistently great—his wailing can sometimes prove overwhelming. On “Pina Colada” and “Frizzella,” Powell’s screeching stands in opposition to the rest of song—it’s almost as if both  tracks were originally intended to be instrumental and vocals from some other song were added at the last minute. However, on “Sad Over You” and “Walking in the Dark,” Powell’s howling effectively works with the instrumentation to evoke the fun, but surly party-punk sound that Guantanamo Baywatch is angling for.</p>
]]></content:encoded>
			<wfw:commentRss>http://blogs.citypaper.com/noise/index.php/2012/08/guantanamo-baywatch/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
