Ultra Nate | Image by Bart Everly 2009 was a big year for Baltimore club music to mutate and combine with other sounds, whether it was indie-rock duo Wye Oak’s tender take on Rod Lee’s club classic “Dance My Pain Away,” Cex’s IDM dissection of club breakbeats on his Battaille Royale, or Debonair Samir...
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King Tutt 2008 was a memorable and important year in the history of Baltimore club music, but not entirely in a good way. The shocking death of club’s most popular DJ, Khia “K-Swift” Edgerton, cast a dark shadow over the second half of the year, and it feels like things still haven’t returned to...
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2007 was an interesting time for club music. It didn’t quite feel like a landmark year–nothing like ’06′s MTV segment on the music or ’05′s explosion of press surrounding Rod Lee’s first nationally distributed album. And if there was any big trend in club music, it was the same as in almost every other...
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